Joanne Shaw Taylor
Fri · August 31, 2018
Doors: 6:00 pm / Show: 8:00 pmThe Tin Pan
$22.50 adv / $27.50 door
This event is all ages
Seating: We assign seats in order of when you purchase your tickets. All reservations are subject to a food and drink minimum of $13 per guest. We reserve the right to seat parties together at the same table in the event of a busy show.
Box Office: The Tin Pan charges lower fees for box office versus online sales. Our box office is open Mon-Sat 12PM-5PM. Please visit us during those hours or call 804-447-8189.https://www.tinpanrva.com/event/1720022/
Joanne’s debut album White Sugar first opened the door and her career has since gone stratospheric, with her breaking the notoriously hard-to-crack US market. She beat the stereotypes of her age and gender, gaining acclaim from critics and peers alike. Subsequent albums; Diamonds in the Dirt, Almost Always Never and Songs From The Road followed and Joanne’s fan base rose globally.
In 2014 Joanne reunited with her White Sugar album producer, Jim Gaines, and recorded her new studio album in Memphis. That album entitled The Dirty Truth was a return to Joanne’s original sound that mixes rock riffs with blues influences. The album was released in the UK in September 2014 on Joanne’s own independent boutique label, Axehouse Records to critical acclaim across the world and has already become her biggest selling album to date. Joanne is a bona fide star with famous fans across the guitar world including Joe Bonamassa (who described her as a Superstar in waiting), Tedeschi Trucks, Kenny Wayne Shepherd, Wilko Johnson, Glenn Hughes and John Mayall to name a few.
Following international recognition in 2016 including performances on Later… With Jools Holland, BBC’s Glastonbury coverage and outstanding reviews for her latest album, Wild, Joanne tours with a formidable force starting 2017 with a sell out UK and European tour, check out tour dates and catch one of the amazing live shows.
Rise & Shin began taking shape on the road, where SIMO's three bandmates — singer, guitarist and namesake frontman JD Simo; drummer Adam Abrashoff; and bassist Elad Shapiro — spent most of 2016 on tour. They played 215 shows that year, leaving behind their Nashville headquarters and traveling to nine different countries in support of their Billboard Top 10 blues album, et Love Show the Wa . The guys worked on new music along the way, hashing out chord changes in hotel rooms and tweaking song arrangements during soundcheck. It was a time of growth and self-improvement for everyone. They became better friends, better musicians, better people. At the same time, the outside world was changing. Political pundits were screaming at one another. Elections were pitting candidate against candidate, party against party, neighbor against neighbor. The need to write music that truly eant something — music that not only demonstrated the band's explosive chops, but also sent a clear message — was greater than ever.
"This is an album about change," says JD. "We looked at what's been happening in our own lives, as well as what's been happening in the world. Everyone is changing: personally, politically, socially. We've seen it. We've felt it. And we're writing about it."
Rise & Shin introduces the band's elastic, expanded sound, which blurs the lines between genres and generations throughout the album's 11 tracks. SIMO's previous release, et Love Show the Wa , was a spot-on salute to the band's rock & roll influences, full of big amplifiers, vintage vibe, and plenty of volume. ise & Shin doesn't ignore those roots, but it pushes toward something new. Eager to explore uncharted territory, the guys make room for slow-smoked soul ballads ("I Want Love"); psychedelic desert-rock instrumentals ("The Climb"); hard-edged, bluesy barn burners ("Light the Candle"); and Stax-worthy funk rockers ("Meditation"). Gluing everything together is the charisma and chemistry of three musicians who spent more than 300 days together last year, mastering the art not only of nodding to the past, but looking ahead to the future too.
"If you go through my record collection and look at the more contemporary titles," JD explains, "you'll see the Roots, Wilco, Alabama Shakes, and Ryan Adams. I listen to a lot of old soul music, too. Isaac Hayes. Funkadelic. Bob Dylan. On here’s More to All of This... , I was just trying to cull from the vastness that is my normal music diet, and not trying to pander to some target that was easy to hit."
SIMO began recording ise & Shin in February 2017, producing the album themselves (with help from engineer Don Bates) in Nashville's House of Blues Studio D. They moved at their own deliberate pace, taking more than a month to record the album.
"There was a lot more sonic experimentation going on," remembers Adam. “Every track has a different sonic imprint” JD adds. “We took great care to make each track’s sonic identity match the mood of the song. Even though that meant starting from scratch every day with how the studio was setup.”
They pulled long hours, too, arriving around 3 p.m. every day and staying until 5 or 6 in the morning.
"There are certain records that stick out in my mind as sounding like they were made in the middle of the night," says JD, who remembers recording the song "Be With You" in a single take at 5:15 a.m. "When Frank Sinatra sings “One for My Baby (and One More for the Road)” to me it sounds like 2 am. Bob Dylan’s “Sad-Eyed Lady of the Lowlands” sounds like 3 or 4 in the morning. There were certain songs of ours that I knew would benefit from that nighttime feel, where you're up and working while the rest of the world is asleep."
A former session guitarist who’s played on nearly 500 albums, JD didn't take ise & Shine’slengthy creation process for granted. "I've never worked on a record that took this long to record," he adds. "I was so grateful to have that opportunity.”
Impassioned vocals that call to mind Prince or Al Green. Rhythm tracks inspired by the fatback swagger of Isaac Hayes and funky spirit of D’Angelo. Lush, highly detailed sonic landscapes reminiscent of Pink Floyd. Raw, naked songwriting that lifts the veil for the listener to see all the frailty and ugly parts as well as the beautiful. ise & Shine akes room for it all, with SIMO looking not to recreate old sounds, but invent new ones. It's the band's most expansive album to date — the work of a band at its curious, adventurous peak.
The Tin Pan
8982 Quioccasin Road
Richmond, VA, 23229